Edit the title, artist, album and cover art on an audio file — without touching a single byte of the audio.
Need a different format instead? Use the Format Converter, then tag the result here.
This tool edits the metadata on an audio file — the title, artist, album, track number, year, genre, comment and cover art that your player shows in its library. It reads what is already there, lets you change it, and writes the file back.
The audio itself is copied through byte for byte. Nothing is decoded, nothing is re-encoded, and nothing is re-compressed. That is worth stating plainly because most online tools that touch audio cannot say it: converting a file to change its title would lose quality every time. Here the output differs from the input only in the metadata.
Everything runs in your browser. No file is uploaded, no account is needed, and no online music database is consulted — so nothing about your library leaves your machine.
| Format | Tags used | Cover art |
|---|---|---|
| MP3 | ID3v2 — read v2.2/2.3/2.4, written as v2.3 | Yes |
| FLAC | Vorbis comments | Yes |
| M4A | MP4 metadata atoms (AAC and Apple Lossless) | Yes |
| WAV | Both RIFF INFO and an embedded ID3v2 tag |
Yes |
The format is detected by looking inside the file, not at its extension — a renamed file still works, and a file whose extension lies will not be mangled by the wrong parser.
WAV has no single standard for metadata. There are two competing conventions,
and software disagrees about which to read: RIFF INFO
chunks are read by Windows Explorer and older players, while an
embedded ID3v2 tag is what macOS Finder, iTunes and DJ
software such as Rekordbox and Serato look for.
Most tools write one of the two, which is why a WAV so often looks tagged in one program and blank in another. This tool writes both, from the same values, so the file reads correctly in as many places as WAV allows. Cover art travels in the ID3v2 half.
WAV is also where DAWs leave the most debris. A mixdown often carries a
bext chunk with originator and coding history, iXML project data,
XMP packets, or ACID tempo information — none of which most players show, all
of which ride along in every copy of the file. Strip all
metadata removes the lot and leaves the audio untouched.